I love simplicity in design. It’s not easy to achieve but I always admire when a piece is taken back to the bare essence of an idea. So when Textileartist.org announced a challenge by Emily Jo Gibbs, I was intrigued with her style. The instructions were to find a stick or an object such as a paintbrush to be your inspiration. Then, sketch the item and use that sketch to create an applique. Ha! Applique is perfect for another homework assignment. Plus, the simplicity of using a sketch as the design. I have hundreds of sketches that I could use. But I found a stick, and did a sketch of it, including the shadow.
Then I created a pattern for the applique pieces out of tracing paper, chose some hand dyed organza and a linen background.
Here’s the documentation in my sketchbook for Level 3 Stitch class.
Then on to hand stitching while listening to a portion of an online class given by MOMA. I love the simplicity of the piece. A bare bones sketch in applique. As I said, I have loads of sketches that I could recreate this way.
For the MOMA class, the artist featured this week was Barnett Newman. I had never heard of him before and it was interesting to learn about his style. Again, simplicity is evident. His work that he is best known for are his “zips”, the line of yellow oxide down the middle of the painting in a solid colored background. But the “zips” weren’t usually exact and had more complexity to them as you get closer and view the painting at more length. Many of his paintings are really large so that as you get closer, you are engulfed by color. The painting above is done in his style. Acrylic paint on sketchbook paper. I don’t think it quite gives the same impact as it might have on canvas or board. But it was an interesting experiment.
It’s a fun course and now we are studying Willem de Kooning.
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