Flowers Inspired by Rebecca Crompton

One of our assignments for Level 3 Stitch was to create a piece inspired by Rebecca Crompton. She was an embroidery teacher in Great Britain in the early 20th century. You can read more about her on the V&A site and see some of her work.

Nuno Felted sample with grey wool and red/green silk in woven pattern

As I was thinking about what to create, I came across this old sample of nuno felting in my stash. I was thinking of gardens and flowers (Rebecca Crompton has several garden themed pieces.) I thought this would work for a background piece.

Nuno Felt stitched with Kantha stitch in hand dyed wool lace weight threads.

I decided to add some base stitching. I used hand dyed lace weight wool thread with running stitch.

Applique fabric pieces applied to stitched surface of nuno felt.

The next step was finding different fabric for the flower elements. I cut out various flower shapes and tried them out in a variety of places on the background. I wanted the colors to move throughout the piece but for it to all feel cohesive. Now to stitch them in place. I could have fused them down but I don’t like the way fusing flattens everything. I prefer raw edges, a bit of fraying and texture.

Completed piece of nuno felt, stitching and hand stitched applique

Here is the final result. I added a few French knots and couched down a bit of yarn for the branch at the top left. This isn’t my usual style but I enjoy the movement and liveliness of the piece.

Nuno Felting

My local group met for the last time before our summer break. We did nuno felting. Sally and Louise made scarves, Paula finished up a piece she was already working on and I made some samples.

This is Sally making her scarf. She used a cotton cheesecloth/scrim type material and merino mixed with silk. She had never nuno felted before but did a great job.

These are some pieces that Paula had made previously. I didn’t get a photo of the piece she finished today. Hopefully, she will frame it and I can get a photo of it framed.

And here is Louise’s project. She used butterfly silk, cotton threads and a mix of poodle hair and merino. It took a bit of extra effort to get the poodle hair to felt but it worked in the end. It did smell a bit like a wet dog though.

Here are a few samples that I made. The pink one has a layer of viscose fiber in the middle. I think that I added too much wool because I thought it would be a bit more light weight than it is. The second one is a weaving of two silk fabrics that I then nuno felted. The red and green fabric is from the pillows I recently made. It is silk charmeuse and very heavy. I didn’t think it would felt but Zed suggested I try weaving it in with a lighter weight silk that would hold the heavier fabric down. And it worked. The colors aren’t too exciting together but I was just testing out how the silk would hold down. I also tried sandwiching the heavy silk fabric between layers of wool to see if I could still see an outline of the silk in the middle. That one didn’t work. It just looks like felt. You can feel the silk as the felt kind of slides around on it but otherwise very unremarkable. But we all had fun so that’s the most important part.

Nuno Felted Paper Fabric Lamination Sample

I’m sure that I don’t need to start another hand stitching project right now as I still have several in the works but…

Nuno Felted Paper Fabric Lamination

This piece is a portion of a sample that I made for my Nuno Felting with Paper Fabric Lamination online class. It was originally 4 times this long but I cut it up into 4 pieces. I am going to try 4 different techniques, one for each piece.

Possible Yarns to Couch Down

This one is going to have mainly green yarns couched down. Looking at it on the screen, I can definitely see that it needs some darker values in there for more contrast. I really love the texture but then the question is always how to finish it. So instead of being too afraid to move forward with the bigger piece, I will try different ideas on the smaller pieces. I can just think of them as samples and not be intimidated to finish them as I might have been with the larger piece. You can enlarge the photos to see more of the textural detail.

Finishing the Tree

I worked on the umbrella tree for the last two days and it’s about finished. I need to decide if it needs a few more details such as moss and what I’m doing on the very top of the umbrella. I got the poem stitched to the trunk and the nuno felt is stitched down to the umbrella ribs. 

MINOLTA DIGITAL CAMERAI placed the poem on the trunk and pinned it in place. Then I stitched it on by hand. This took a while. 

MINOLTA DIGITAL CAMERAHere you can see it stitched down. It definitely adds some texture and looks vaguely like writing but I don’t think most people would see that unless you told them.

MINOLTA DIGITAL CAMERAThese photos are not very good but I think you can see what the trunk looks like with the stitching on it. 

MINOLTA DIGITAL CAMERAAnd here is the umbrella covering stitched on. Can you see at the very top of the photo that there is a little silver umbrella top? I am trying to decide if I want to have that on the top of the tree or not. It reminds you that it is an umbrella. But I can’t decide. What do you think? I am going to work on the last few details and then get some decent photos taken. I need good photos to send in for the judging process of the exhibition. But I’ll post a good photo here so you can see how it turns out.







The Basics of Nuno Felting

I haven’t done a nuno felting tutorial so I thought it might come in handy for those of you who haven’t tried it before and need a little guidance. The most important thing to remember about nuno felting is that you need to be more gentle and take a little more time when you start felting so that the wool fibers have time to migrate through the silk or open weave fabric that you are using. Nuno felting is the process of making a new type of fabric by combining a loose weave fabric with wool fiber. The easiest way to do this is use a fabric that is light weight and loosely woven with a wool that is a fine fiber such as merino. This allows the fine fiber to move easily through the fabric. It is possible to use other fabrics and fibers but if you’re just starting out, I would suggest trying a 5mm silk gauze and 18-22 micron merino wool. I got the silk gauze from Dharma Trading and the merino was from a local source. I also carded in some embellishing fibers when I was making batts but you can add embellishments on the surface without carding them in with the wool. You just need to remember that silk and other plant fibers will not felt and attach to the silk fabric unless they have some amount of wool to help adhere them to the surface.



To start, I laid out a layer of plastic to protect the table. I then laid out a section of pool cover. You can use bubble wrap if you have that instead. Then I use very thin, light weight painter’s plastic big enough to cover the piece of silk that I am using. You need two sheets of painter’s plastic to sandwich your nuno felt in. The photo above is actually the back side of my felt. I used preyarn to create a branching effect. I then placed the other piece of plastic over the top and flipped the sandwich of plastic and silk over to the other side.

MINOLTA DIGITAL CAMERAHere’s a photo of the preyarn. I really like to use this for fine lines in felting.

MINOLTA DIGITAL CAMERANext I laid out my wool on the silk fabric. I just pulled small bits off the batt and laid them randomly on the fabric. I didn’t want the piece to shrink in the same direction thus the fiber is in all different directions. I didn’t worry about missing any spots as I wanted some of the silk to show through. You do need to be careful about the edges and cover them completely with fiber especially if the edge has been cut or torn. The wool once adhered with the felting process will keep the silk from fraying. Also, if you pat the wool down as you go, it has less tendency to fly away as you’re working.

MINOLTA DIGITAL CAMERAOnce the silk was completely covered I added Wensleydale locks as embellishment. If you don’t want a very textured surface, don’t add locks. They shrink differently than the merino and give a very textured effect. But I love texture so on with the locks.

MINOLTA DIGITAL CAMERANext I wet down the entire top surface. I used cool, soapy water sprayed from a ball brauser type sprayer. Avoid hot water as you don’t want the wool to felt to itself before the fibers migrate through the silk. I gently pat the wool down as I wet it to make sure all the air bubbles are out and that the wool is completely wet. The photo above you can see the preyarn lines showing from the other side so there really isn’t a lot of wool here, just a small, light layer of wool. Once you’ve got the entire surface wet down, cover the whole piece with thin painter’s plastic.

MINOLTA DIGITAL CAMERAThen roll everything up in the pool cover or bubble wrap and tie with nylons. Then the rolling begins. Start rolling gently and avoid heavy pressure to start. I usually roll 50 times, unroll, and then roll up from the other end. I do that at least twice. Check between each roll and try to smooth out the wrinkles that develop in the plastic. Have towels handy for sopping up any errant water that comes out the end. After doing 4 x 50 rolls, I check to see if I see any fibers migrating through the silk. Look at the back side of the silk and see if you see little ‘hairs’. Sometimes you can see this better if you add more water or take water away by blotting with a towel. At this point, I flip the piece over so the back side is up and remove the top piece of plastic.

MINOLTA DIGITAL CAMERAThen I start rubbing the back side of the silk with soapy hands to encourage those fibers to come through the silk. I use quite a bit of soap on my hands for this although you can’t really see it in the photo.  Once I’ve rubbed over the entire back surface, I put the plastic back over the whole thing, fold it up and put it in the microwave for a couple of minutes to heat it up. Then I roll again. This time you can add more pressure with your rolling. I usually roll 4 x 100 with this set, checking each time and switching from end to end as I roll.

MINOLTA DIGITAL CAMERAThe next step is to begin fulling. Make sure that you see lots of fibers on the back side of the silk before you start fulling and again, you need to be gentle. I take the whole piece, dip it gently in hot water to warm it up again and then I either rub very gently against the pool cover or do gentle dropping. As the wool starts to shrink and the silk starts to ruche or pucker up, you can add more pressure and be a little more aggressive. I keep warming up the felt as I go either in hot water or in the microwave. Keep dropping and rubbing the felt against a rough surface such as the pool cover or bubble wrap until the wool has shrunk and is completely attached to the silk. Nuno felt usually shrinks at least 40-50% and sometimes more than that. If you want to make something a certain size, it is best to make a sample first and measure the shrinkage. That way you know what size is needed at the start.

MINOLTA DIGITAL CAMERARinse the fulled piece of nuno felt in clear water and then soak in a bath of vinegar water for 5-10 minutes. Rinse again with clear water. I usually put the nuno felt in the washing machine on the spin cycle to get the water out and then hang to dry. If you want the piece to be more square, you should block it to dry. You can see that I got lots of texture which is what I wanted. MINOLTA DIGITAL CAMERA

This is the silk side. I always love the texture and ruching that you get from nuno felting on the silk side. That’s the basics of how to nuno felt. If you have any questions, please feel free to ask. I have a much more thorough explanation in my book The Complete Photo Guide to Felting if you need more explanation.