Design Focus Friday

Just a short post about critique today. I haven’t been very comfortable with the critique process so I have been looking for pointers. Here’s what I found:

Jane Dunnewold of Art Cloth Studios has a wonderful tutorial about critique and a critique check list.

Quilt Critique is a website where you can get a free evaluation of your quilt. So if you’re looking for some feedback, check it out.

Here’s an interesting article of a critique of work by Nancy Crow.

Do you usually critique your own work or are you so happy when it’s finished, that you just go on to the next project? Could you learn something about your work and ways to improve it if you took a few minutes to critique your pieces? Let me know what you think about critique.

Design Focus Friday – Exercise 1

I have been putting this off all week. I have tried before to evaluate art using the elements and principles of design. But I never really do it. Why is that? Is it because I don’t feel confident? Who do I think am I evaluating another artist’s work? Do you feel that way too?
But that is why I’m putting the Design Focus Friday idea out there. To force myself to follow through even when the little voice in the back of my head is shrieking at me to quit. Is there another way to think about this that makes it slightly easier than the word “critique”? I decided I would think about it as trying to understand what the artist was thinking about when they created their work. How did the artist use line, shape or color to get his/her point across? Did the artist use symmetrical or asymmetrical balance? Why? With questions like that, I am focusing on what I can learn from that artist.
 So I am going to take a look at a painting by Vincent Van Gogh. I have always liked his work but wasn’t really sure why I liked it. I’m going to think about it as Van Gogh teaching me about how he paints not as if I am trying to evaluate or critique Van Gogh’s work. I also wanted to point out that Van Gogh produced around 900 paintings and 1100 drawings during a period of ten years but only sold one painting during his lifetime. Isn’t that amazing? It’s so important to keep producing work; the more you create, the better it will become.
So here it is.

This is called Green Ears of Wheat. How did he use line? The most evident lines to me are the stalks of wheat although there is also the implied line of the grasses, trees and horizon. Because there isn’t that much line, mainly dabs of color, these stalks are emphasized.

What about shape? Due to the subject, they are very organic. But the shapes aren’t really drawn with hard edges. The shapes are determined by the changes in color. I love the larger poppies in the foreground, don’t you?
Form? To me, Van Gogh achieves this by proportion and size as well as with color. The stalks in the foreground are bigger and overlap the smaller shapes in the background. His colors are brighter in the foreground and it looks hazy in the background due to his use of blues and grays.

One of the things I’ve always loved about Van Gogh’s work is the texture. By using daubs of color on the canvas, he gets such wonderful textures that could be felt. But he also has implied textures in the background with his use of color and value changes.

So for me, it all comes back to color. The colors are vibrant, the values change from the dark ground, to the leaves and ears and then those bright pops of red of the poppies against the greens provide emphasis. He uses value changes to differentiate the foreground from the background and the sky is a wonderful mixture of colors.

The ears of wheat are definitely the first thing that draws my eye and then down to the larger poppies. What draws your eye? I find it interesting that the central stalks are almost in the center of the painting. How does he make that work? The greatest contrast in values is the light green against the dark foreground with the two larger poppies on the right hand side. Perhaps that is the focal point? What do you think?

Harmony and unity look to me like they are achieved again by the use of color. The colors of the wheat, fields and poppies also show up in the sky with lighter values. The heavier weight of the foreground is balanced by a bigger overall background.

How is balance achieved? It’s asymmetrical, isn’t it? There is more weight to the right but that one stalk off to the left really draws the eye as well.
Proportion and size really give the painting depth. As I talked about in form, Van Gogh draws us into the painting with the large wheat stalks and then keeps us looking at details and wonderful colors throughout.
Last but not least is rhythm. The repetitiveness of the distant field’s vertical greens and even the continuous dots of red depict nature’s rhythms.
I’m not sure that everyone would agree with my assessment but each of us has our own view and opinion of artwork. This is the first time I’ve really sat down and looked closely and thought about what the artist was trying to portray through the use of design. I think what I like most about Van Gogh’s work is the use of color, value and the textures of the paint. Have you looked at your favorite artwork and seen how the artist applied the elements of design to develop the composition of the artwork? Take the time and don’t be intimidated. There is so much wonderful artwork out there that can teach you so much about design. Give it a try! And let me know if you put anything up on your blog so I can post a link.

Traveling Page for Cobi

 Here’s the page I made for Cobi for September. Her theme is Art Nouveau. I probably wouldn’t have chosen this theme so it was fun trying something different. This is done with commercial batiks, machine applique and hand stitching.

Here’s the back.

And here’s a close up. I’ve got my design worked out for my next page. It is for Elizabeth and her theme is windows. I’m not sure if I have the fabrics I want so I may have to go out and buy some fabric. I have to go search through my scraps first though. Hopefully, I’ll find something I can use.

Marbled Scarves and Paper


We played with marbling scarves and paper with my local fiber art group on Friday. I have never tried marbling before and really enjoyed myself. I don’t think I want to invest in the equipment and paint to do this on a regular basis but one of our members has the whole set up so everyone got to make a couple of scarves. These are not exactly my colors. I didn’t take the time to mix colors and the ones straight out of the bottle were really much brighter than I normally use. She already had the marbling vats set up so all we had to do was put drops of paints on the surface of the sea weed based jelly stuff and let them spread. These are called stones. We then used a variety of tools to marble the paint. She had several books with very intricate designs but we mainly just played around. I like the bigger blobs of paint as opposed to the intricate marbled designs so I didn’t do much of the marbling more just lots of “stones”. She had also already put the scarves in alum water, let them dry and ironed them. Then all you have to do is lay the scarf face down on the marbling vat and ta da – a marbled scarf. You have to be careful not to get air bubbles as they’ll leave white spots.


Here is the last one that I did. I didn’t marble this one at all.

 I like how this one turned out but I don’t really like the white in the pattern and the backs are white since it is paint and not dye. So I will probably over dye all of these. I will show you the results of over dying whenever I manage to get that done. I do need to dye soon because I have some wool that needs dyeing.

Here are some index cards that I put in the remaining paint after dyeing a scarf.

 And larger papers which I am going to cut up and use for greeting cards.

We had a blast. We did discuss our Design Focus Friday and so this month I am going to try and find a couple of pieces of art and “critique” them to see if I can determine how the artist used the design elements and principles in their work. More on that later. Next month, the group will be coming to my house and we will be doing nuno felting. Perhaps I will remember to take some photos. I completely forgot to take any of us marbling as I became so engrossed in the process.