Here’s the last pear using Carol Shinn’s technique. I wrote a longer post about it over on the Felting and Fiber Studio if you’d like to read more about it.

 I decided I would try different methods but use the same subject. Then I could see which one I liked best.. This first one is granite stitch using directions from a Singer instruction manual from the 1940’s. This is the underlayer of stitching. I had a really hard time going in circles. It was a bit jerky.

 This is the finished pear. Looking at it now, I think the shadows on the bottom are a bit dark. But that just might be because there are no corresponding shadows on the ground section. I just embroidered the pear and not the background. I got a lot of distortion of the background which is a heavy weight Pellon.

 This is my second attempt. I used heavy weight Pellon again but used the mossing stitching as described by Australian Ken Smith. I find this stitch easier but maybe because this is the one that I’ve practiced the most. Again, this is the underlayer of colors.

 The colors seem to mix better with this method. But the center of this one doesn’t have much variation either.

 This last one is on canvas. I am going to use Carol Shinn’s technique. She stitched on canvas cut on the bias and either uses a photograph transferred on to fabric or paints the image first. This is the painted image on white canvas. I decided it needed a background color since the other two had background colors.

 So I painted the background with Dye-Na-Flow. Here’s the finished painting after heat setting the paint. Now I need to stitch it. But I can only do so much of this type of work at once. Perhaps tomorrow.