The Basics of Nuno Felting

I haven’t done a nuno felting tutorial so I thought it might come in handy for those of you who haven’t tried it before and need a little guidance. The most important thing to remember about nuno felting is that you need to be more gentle and take a little more time when you start felting so that the wool fibers have time to migrate through the silk or open weave fabric that you are using. Nuno felting is the process of making a new type of fabric by combining a loose weave fabric with wool fiber. The easiest way to do this is use a fabric that is light weight and loosely woven with a wool that is a fine fiber such as merino. This allows the fine fiber to move easily through the fabric. It is possible to use other fabrics and fibers but if you’re just starting out, I would suggest trying a 5mm silk gauze and 18-22 micron merino wool. I got the silk gauze from Dharma Trading and the merino was from a local source. I also carded in some embellishing fibers when I was making batts but you can add embellishments on the surface without carding them in with the wool. You just need to remember that silk and other plant fibers will not felt and attach to the silk fabric unless they have some amount of wool to help adhere them to the surface.

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To start, I laid out a layer of plastic to protect the table. I then laid out a section of pool cover. You can use bubble wrap if you have that instead. Then I use very thin, light weight painter’s plastic big enough to cover the piece of silk that I am using. You need two sheets of painter’s plastic to sandwich your nuno felt in. The photo above is actually the back side of my felt. I used preyarn to create a branching effect. I then placed the other piece of plastic over the top and flipped the sandwich of plastic and silk over to the other side.

MINOLTA DIGITAL CAMERAHere’s a photo of the preyarn. I really like to use this for fine lines in felting.

MINOLTA DIGITAL CAMERANext I laid out my wool on the silk fabric. I just pulled small bits off the batt and laid them randomly on the fabric. I didn’t want the piece to shrink in the same direction thus the fiber is in all different directions. I didn’t worry about missing any spots as I wanted some of the silk to show through. You do need to be careful about the edges and cover them completely with fiber especially if the edge has been cut or torn. The wool once adhered with the felting process will keep the silk from fraying. Also, if you pat the wool down as you go, it has less tendency to fly away as you’re working.

MINOLTA DIGITAL CAMERAOnce the silk was completely covered I added Wensleydale locks as embellishment. If you don’t want a very textured surface, don’t add locks. They shrink differently than the merino and give a very textured effect. But I love texture so on with the locks.

MINOLTA DIGITAL CAMERANext I wet down the entire top surface. I used cool, soapy water sprayed from a ball brauser type sprayer. Avoid hot water as you don’t want the wool to felt to itself before the fibers migrate through the silk. I gently pat the wool down as I wet it to make sure all the air bubbles are out and that the wool is completely wet. The photo above you can see the preyarn lines showing from the other side so there really isn’t a lot of wool here, just a small, light layer of wool. Once you’ve got the entire surface wet down, cover the whole piece with thin painter’s plastic.

MINOLTA DIGITAL CAMERAThen roll everything up in the pool cover or bubble wrap and tie with nylons. Then the rolling begins. Start rolling gently and avoid heavy pressure to start. I usually roll 50 times, unroll, and then roll up from the other end. I do that at least twice. Check between each roll and try to smooth out the wrinkles that develop in the plastic. Have towels handy for sopping up any errant water that comes out the end. After doing 4 x 50 rolls, I check to see if I see any fibers migrating through the silk. Look at the back side of the silk and see if you see little ‘hairs’. Sometimes you can see this better if you add more water or take water away by blotting with a towel. At this point, I flip the piece over so the back side is up and remove the top piece of plastic.

MINOLTA DIGITAL CAMERAThen I start rubbing the back side of the silk with soapy hands to encourage those fibers to come through the silk. I use quite a bit of soap on my hands for this although you can’t really see it in the photo.  Once I’ve rubbed over the entire back surface, I put the plastic back over the whole thing, fold it up and put it in the microwave for a couple of minutes to heat it up. Then I roll again. This time you can add more pressure with your rolling. I usually roll 4 x 100 with this set, checking each time and switching from end to end as I roll.

MINOLTA DIGITAL CAMERAThe next step is to begin fulling. Make sure that you see lots of fibers on the back side of the silk before you start fulling and again, you need to be gentle. I take the whole piece, dip it gently in hot water to warm it up again and then I either rub very gently against the pool cover or do gentle dropping. As the wool starts to shrink and the silk starts to ruche or pucker up, you can add more pressure and be a little more aggressive. I keep warming up the felt as I go either in hot water or in the microwave. Keep dropping and rubbing the felt against a rough surface such as the pool cover or bubble wrap until the wool has shrunk and is completely attached to the silk. Nuno felt usually shrinks at least 40-50% and sometimes more than that. If you want to make something a certain size, it is best to make a sample first and measure the shrinkage. That way you know what size is needed at the start.

MINOLTA DIGITAL CAMERARinse the fulled piece of nuno felt in clear water and then soak in a bath of vinegar water for 5-10 minutes. Rinse again with clear water. I usually put the nuno felt in the washing machine on the spin cycle to get the water out and then hang to dry. If you want the piece to be more square, you should block it to dry. You can see that I got lots of texture which is what I wanted. MINOLTA DIGITAL CAMERA

This is the silk side. I always love the texture and ruching that you get from nuno felting on the silk side. That’s the basics of how to nuno felt. If you have any questions, please feel free to ask. I have a much more thorough explanation in my book The Complete Photo Guide to Felting if you need more explanation.

 

 

 

 

 

 

 

 

 

Tiny Sketchbook

My husband was cleaning out a cabinet last weekend and found a small sketch book. He gave it to me and I thought I would try to fill it up with sketches of wild flowers. I really enjoyed sketching flowers last summer for my stitch class homework so I thought I would do more. I want to use the sketches as a basis for small free motion embroidery pieces.

Sketch Book

 

Here’s the sketch book. It is much smaller than I’m used to and is only 3 1/2″ by 5″. It doesn’t have very sturdy paper so I can’t put much water on the pages but it works very well for the water brush that I use which doesn’t put out much water. I sketch in pencil, draw over the lines with a permanent ink pen, erase the pencil and then color in with Inktense pencils by Derwent. After coloring in, I use the water brush to wet the ink a tiny bit.

Indian Paintbrush Sketch

 

I’ve only gotten a couple of sketches done. I thought I would concentrate on wild flowers that bloom in Montana. This first one is an Indian Paintbrush. We have lots of these around the woods by our house.

Lupine SketchThis is the sketch of Lupines. I have tons of these around the house and in my flower beds. Most of them I haven’t planted and they just keep spreading. The deer eat them occasionally but usually only when there’s nothing else to eat. I have to go to a continuing education class this weekend but I’m planning on doing some nuno felting tomorrow.  I’ll let you know how it goes!

 

Couple of Cards

I finished a few more of the greeting cards that I posted about previously. I get them set up ahead of time but when I start stitching the plan sometimes changes.

Card Components

 

I had planned on doing automatic stitching on this card but then I thought that it looked like a tree trunk on the right. So instead, I did some free motion stitching and removed the blue-green silk pieces.

Free Motion Sketched Tree

 

This is the result.  I might need to add a bit more dark thread but held up close, as you would a card, it looks fine.

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Next I worked on the one on the right. It had some felt but those spare pieces of blue-green silk went so well…

Blue Green Card

 

Here’s the end result. I don’t usually baste or fuse down my fabrics on these cards, I just stitch over them. Sometimes things get a bit wonky but that’s OK. I’m working on not having to have everything “perfect”.

Learning to Felt Classes at Flathead Valley Community College

My friend Paula and I will be teaching two classes at the beginning of June on learning to wet felt. It’s going to be loads of fun and I hope you’ll be able to join us. The classes are at the local community college here in Kalispell, Montana.

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We’re going to make a flat piece of felt first that could be used as a trivet or a mouse pad and then we’ll make felt covered soap and a felted rock. You can sign up here.

 

Here’s a press release about the class:

MAGIC OF FELTING CLASS AT FLATHEAD VALLEY COMMUNITY COLLEGE

Kalispell, May 9, 2013, Discover the magic of traditional wet felting! Ruth Lane and Paula Rindal will be teaching two sessions of The Magic of Felting course at FVCC on Saturday, June 1st and Friday June 7th from 9am to 4pm. Begin to understand the basics of the ancient technique of wet felting. Learn about wool properties, basic felting techniques and make two to three projects to take home. You will learn how to do wool layout, wet down with soapy water, and rolling and fulling techniques of felting. You will also learn about shrinkage and how to size felt pieces. Projects will include a mouse pad/trivet, felted soap and a felted rock or paperweight. Once you know the basics of wet felting you will be able to move on to making scarves, hats, bags and much more.

 

Ruth Lane, a fiber artist, is the author of The Complete Photo Guide to Felting and co-owner of The Purple Pomegranate, a fine craft gallery. Paula Rindal has taught numerous felting classes through Camas Creek Yarn including wet felting, nuno felting and needle felting. For more information, please contact FVCC Continuing Education Department at 756-3822, info@fvcc.edu or register online http://www.fvcc.edu/continuing-education.html.

Little Snippets of Work

I’ve been trying to get back on track since I’ve gotten home. I am still trying to do at least 5 minutes of creative work every day but I’m having a hard time somehow. I have lots of things I want to get done but sometimes the list feels a bit overwhelming. So I’m just doing a little bit at a time and hopefully, I’ll get back into the groove soon.

Being You CardI finished one of the greeting cards that I laid out last Friday with my art group. I decided to add a background fabric and then just used one of the programmed stitches on my machine to stitch it down. I used fusible to attach the words and to attach the fabric to the card.

Being You CardHere’s the card ready to be written in and sent off to someone. I really like using hand-made greeting cards. They don’t take very long and people are always impressed. It’s nice to give a little bit of your time and thought to a card instead of just buying it from one of the box stores.

Card ComponentsHere are the ingredients for the next one. The white piece to the right is stitch and tear interfacing. It gives enough of a backing to prevent the stitching from buckling the fabric. If you do a lot of free motion stitching, you might need two layers of interfacing. I’m thinking about doing free motion stitching on this card. Perhaps following some of the organic lines.

Matching ThreadThen I just choose which color thread I want to use and it’s time for stitching. I usually keep these cards fairly simple and practice a bit on making a balanced composition.